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Автор Тема: ecsz Disquiet: 15, 10 038; 5 Years Ago This Week (2013.52)  (Прочитано 11 раз)

MethrenSor

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Wewv Briton Admits Plot To Bomb U.S. Targets
 AP:A spokeswoman for the U.S. Navy s 5th Fleet says a female sailor has been found  stanley cup dead in her home near a U.S. naval base in Bahrain.   read th stanley cup e articlegt;       ponent--type-reci stanley cup rculation .item:nth-child 5          display: none;             inline-recirc-item--id-cf5885fe-8c88-11e2-b06b-024c619f5c3d,  right-rail-recirc-item--id-cf5885fe-8c88-11e2-b06b-024c619f5c3d         display: none;             inline-recirc-item--id-cf5885fe-8c88-11e2-b06b-024c619f5c3d ~ .item:nth-child 5          display: block;       Yuac General Denied Discipline Decision
 Matthew Shaw and William Trossell, the London-based duo known as ScanLAB Projects, continue to push the envelope of laser-scanning technology, producing visually stunning and conceptually intricate work that falls somewhere between art and practical surveying.     Their work also often has an unexpected political dimension, as they have scanned concentration camp sites, designed insurgent objects for thwarting police las stanley spain er scanners, and even point-mapped melting ice floes in the Arctic as part of a larger study of climate change. The results are astonishingly, almost hypnotically detailed, as in this cinematic fly-through of an outdoor festival, passing through tent walls and very nearly revealing individual expressions on participants ; faces. Last week, Shaw and Trossell premiered a new project at London   Surface Gallery, exploring where laser scanners glitch, skip, artifact, and scatter. Called Noise: Error in the Void, the show utilizes scanning data taken from two locations in Berlin, but鈥攁s the show   title implie stanley bottles s鈥攊t actually foregrounds all the errors,  stanley quencher where the equipment went wrong: a world of mistaken measurements, confused surfaces and misplaced three-dimensional reflections. The tics and hiccups of a scanner gone off the mark thus result in these oddly beautiful, almost Romantic depictions of the world, like some lunatic, lo-fi cosmology filtered through machines. Frozen datascapes appear like digital mist settling down over empty f